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Art historian Richard Powell describes Girl in a Red Dress as an exemplary portrayal of the "New Negro" woman who is "defiantly black, beautiful, and feminine, yet also unsettled, mysterious, and utterly modern." Alston, a foundational figure of the Harlem Renaissance, depicts the young woman in a way that embodies the artists synthesis of African aesthetics (in this case resonant with Fang reliquary busts) and modernist pictorial flatness in portrayals of African American subjects

Careful staging and set design made his shops unforgettable, but their construction, dcor and maintenance were so expensive that they often made it difficult to turn a profit