Gnossiennes - Satie Opera Praised for her “poise

Praised for her “poise

The work’s complicated genesis and source situation are explained in the Preface (Ger/Eng)

The work “in the style of a concerto” is probably Beethoven’s most demanding violin sonata and since the 19th century has formed part of the core repertoire of the great violin virtuosos

with which Mendelssohn heralded the second era of organ music after the baroque

This highly anticipated production

Gnossiennes - Satie Opera Praised for her “poiseBetween 1889 and 1897 Satie composed a series of piano pieces. He gave these the eccentric title Gnossiennes and provided consciously ironic performance instructions in which he satirized the excessive gestures of Romantic piano playing. This Brenreiter Urtext edition offers new variant readings and presents Gnossienne No. 7 in its authentic form for the first time. Like the Gymnopdies (BA 10804), the Gnossiennes are particularly suitable for piano