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I’ve been galavanting about in recent weeks and report back from Sónar and Glastonbury (pages 111 and 131)
100 of the World's Best Clubs is the definitive celebration of the world's best dancefloors
and how he effortlessly brings together the twin worlds of house and hip-hop in some of his more uptempo productions (“refracting Stax soul and De La Soul through a French touch prism” I wrote at the time)
they haven’t even thought about calling it a day
See you there
Issue 661 - DBN Gogo USA I’ve been galavanting about inDiversity is what our beloved global dance scene has been built upon. House music was literally born out of Black and Latino LGBTQ+ spaces in Chicago, while most sub genres of electronic music (jungle drum & bass, techno, garage, etc.) also stem significantly from Black origin. Its the mixture of all manner of people of all different colours and creeds that makes our international scene so beautiful. So its scandalous when there are backward steps
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