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The New York Times
who had been meticulously curating his film soundtracks since the early 90s
and they were right
Serge Gainsbourg or Bill Laswell
they wouldn't be nearly as effective without the twin-guitar interplay of Slash and Izzy Stradlin
The Stone Roses spo-disabled The New York TimesSome albums really can change the world, and in 1989 this was one of them. The psychedlic dance extravaganza that was the Stone Roses ushered in the era of Madchester, baggy trousers, Kangols, and the Hacienda. From the magnificent protracted opening of 'I Wanna be Adored' (where, for once, the arrogance wasn't overdone) to the dying seconds of 'Fools Gold,' every note was perfect. Jon Squire's guitarwork was a thing of magic, a new hero for a new