BUNNY LEE'S KINGSTON FLYING CYMBALS: DUBBING WITH THE FLYING CYMBALS SOUND 1974-1979 | VINYL RECORD (LP) Easy Listening gelatinous bounce of Loop #33

gelatinous bounce of Loop #33 recall a child's playtime wonder more than they do the rarefied rigor of the laboratory

Following upon the success of his combined Eps

as well as live broadcasts from Nottingham Rock City (1984)

and fond memories alongside layers of dreamy synths and smooth saxophone

The sound is best described as a cross between Creedence Clearwater Revival and Circus Maximus with a touch of Ry Cooder (Cooder does perform a guest role on this album)

BUNNY LEE'S KINGSTON FLYING CYMBALS: DUBBING WITH THE FLYING CYMBALS SOUND 1974-1979 | VINYL RECORD (LP) Easy Listening gelatinous bounce of Loop #33Bunny Lee's flying cymbals or flyers rhythms dominated the dancehalls and the charts in 1974 and 1975. The style, based on Philadelphia disco and featuring the sound of an open and closed hi hat, was not necessarily novel, but Lee's use of a number of different elements most certainly was. Johnny Clarke's 1975 interpretation of Earl Zero's None Shall Escape the Judgment opened the floodgates for the flyers style. The story had begun the previous year